NPA Rejects Fraud Claims, Highlights Emergency Dredging Compliance

12-05-2025


The Nigerian Ports Authority (NPA) has vehemently denied allegations of multi-billion naira fraud, labeling them as baseless and lacking in credibility. In a series of statements, the NPA outlined its commitment to transparency and due process, emphasizing that its financial operations are under strict oversight by several governmental bodies, including the Ministry of Marine and Blue Economy, the Budget Office of the Federation, and the National Assembly. This multi-layered supervision, according to the NPA, makes any misapplication of funds virtually impossible.

Addressing specific allegations, the NPA clarified that the emergency dredging of the Warri Escravos Channel was conducted in full compliance with the Public Procurement Act of 2007. The project was deemed critical to addressing the heavy siltation that posed a threat to safe navigation and the nation's oil and gas operations. The Authority also detailed the procurement of marine crafts, such as tugboats and pilot cutters, as part of efforts to support offshore operations linked to the domestic sale of crude oil in naira, aligning with national energy security objectives.

The NPA further dismissed claims of withholding documents for over a year, stating that such delays are incompatible with civil service guidelines. Allegations regarding expenditures by its London office were also refuted, with the Authority asserting that no such transactions occurred. The NPA attributed the reported increase in 2024 revenue to favorable exchange rate fluctuations, noting that port charges are denominated in foreign currency, a standard practice globally.

In response to allegations of staff discontent, the NPA management reported high morale among employees, citing recent promotions and the resolution of long-standing personnel stagnation. The Authority also highlighted positive feedback from in-house labor unions regarding its efforts. Through these statements, the NPA seeks to reassure the public and stakeholders of its adherence to principles of transparency, accountability, and due process in all its operations.

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Nothing's Headphone (1) Enters the Market with a Bang: A Blend of Design and Technology

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Nothing has officially launched its first over-ear headphones, the Headphone (1), marking a significant entry into the audio segment. Priced at £299/$299/€299, these headphones are available in black or white, with pre-orders starting on July 4. The Headphone (1) stands out with its unique transparent design, aluminum accents, and CNC components, offering a fresh aesthetic in a market saturated with similar-looking gadgets.

In collaboration with KEF, Nothing has equipped the Headphone (1) with 40mm drivers, spatial audio, and head tracking technology, promising an immersive sound experience. The headphones also feature adaptive noise cancellation (ANC) and a mic system trained on 28 million noise scenarios, ensuring clear calls and music playback in various environments. With up to 35 hours of playback on a full charge and a quick charge feature that provides over two hours of juice in just five minutes, the Headphone (1) is designed for both audiophiles and casual listeners.

Breaking away from the norm, Nothing has opted for physical roller, paddle, and button controls instead of touch controls, aiming to provide a more satisfying and precise user experience. The Nothing X app further enhances the listening experience with an 8-band EQ and a 'Channel Hop' feature for easy switching between audio apps. Additionally, the headphones support Bluetooth 5.3 and dual-device pairing, making them versatile for use across different devices.

The Headphone (1) is not just about looks and sound; it's about creating a unique identity in the crowded audio market. With its distinctive design, advanced features, and user-friendly controls, Nothing's latest offering is poised to make a significant impact. Whether it's the immersive audio experience, the adaptive ANC, or the innovative controls, the Headphone (1) is a testament to Nothing's commitment to redefining the audio landscape.